"a roller coaster has no pretensions of being art."
I'd argue neither does "2012" or "Independence Day."
Sure, there are actors and art direction...but really--
You walk into that theatre NOT to hear great speeches or see great art...
You walk in there to see the white House get blown up or to see Los Angeles sink into the ocean in one big earthquake.
But at LEAST those films were open about what they were, ie, mindless eye candy.
This film is sort of like that kid from class who never reads anything or does any work, and yet, when the professor or someone makes a point, says "OH YEAH? Well, I read on Wikipedia that Newton DIDN'T actually come up with those Laws of Motion, but stole them from some guy in a bar that he knew and passed if off as his own...what about THAT?"
No reseach--or bad, ie, Wikipedia research--or undestanding of what the hell he's talking about...
And yet, he floats that out there, and someone ALWAYS latches onto the argument and keeps it going just because they ALSO haven't actually read anything and think it sounds like a cool explanation, and now there can't be progression in class as it devolves into going over the basic FACTS.
Lack of education is the biggest threat to society from within...
And films like this that do and WILL expllit that ignorance are proof--if they can do it with Shakespeare, they can do it with anything and make folks buy it.
And to be clear about one thing:
While I'm unapologetically a Stratfordian here, I WILL say I'm open to the idea someone else wrote the plays, as wel know at least some later ones were collaborations, and while I think any argument made is ultimately one of conjecture and "what ifs," if presented professionally, I'll listen...I probably won't agree, since again, tie goes to the runner, and this isn't even a "tie" really, it's Shakespeare vs. disperate that all grasp at different morsels of conflicting evidence and try and fashion their OWN alternative story...
But I'll listen.
HERE, however, it's just presented like "JFK," of Stone hadn't been clear about the fact his version was a sort of "counter-myth" and not to be taken as totally true, or if Schafer hadn't been clear "Amadeus" was historical fiction and REALLY set out to slam Salieri and accuse Mozart of not really working hard on his pieces.