/As I've said (maybe you weren't yet here) I use "a Mozart" as a stand-in for *insert "gret" figures here," for the following reasons:
1. As you've demonstrated, not everyone holds the same ideas of who's great or, to be mor precisely since I'd say most would agree Mozart was great, who is great ENOUGH to be considered on the plateau of a difference evaluative scale, that is, instead of the Utilitarian forces in me counting each man one-for-one, in the case of "the great man," here represented by "a Mozart" (as if that were a scientify notation, lol) I am forced to say that 1,000 normal workers, good though they might be, do NOT equal 1 "Mozart," for the "Mozart figure" is not only worth more, there is a qualitative difference between the two.
To put it another way, we cannot truly say that 100 pieces of silver are worth 1 gold piece; ovbiously classical economics would disagree, but remember that I'm not treating these as gold coins within an economic system, but rather simly as two different KINDS of things with a qualitative difference--being gold is a QUALITATIVE difference, as is likewise being silver, and so no quantitative attempt may make the two commensurable as the Utilitarian or, in his own way, the Kantian or the Christian or, for that matter, anyone who wants to treat all men equally.
They are not--LEGALLY they are, and that itself is a great thing, but QUALITATIVELY they are not, and it is one of the great tragedies of the world today that no one seems brave enough to say it when it crosses their minds or, even sadder, that there ARE a great many in the masses who truly believe that sick, twisted cousin of that glorious declaration, "all men are created equal," that perversion whichmakes me sick:
"Everyone's special in their own special way."
I don't care HOW specially shaped the silver coin is or if it's alive and can do flips for me--that doesn't make it a gold piece nor does it make it the equal of a gold piece.
And while my idea isn't his, originally, I feel it would be altogether improper not to mention Plato here, as if anyone has read "The Republic" they might, then, think of Plato's concept of the gold, silver, and bronze "material" Plato would have his semi-facist kings lie to everyone about and say they had THAT inside them, that the great men were born with gold and the warriors with silver and the workers with bronze.
I reference him here not for the sake of reference but rather to point out something about my notion of the qualitative difference between 1 man and 1 "Mozart," between gold and silver:
This does NOT promote inequality.
As Plato says in his dialogue (or rather, the character of Socrates spews forth what Plato has to say while the others give an occasional "Yes" or "Certainly" just to show they're listening to his ramblings...hmmm...) there is no shame ion being a silver person rather than a gold, or a warrior rather than a leader, or a worker rather than a leader, and so on. The three metals and three types of people, Plato contends, compliment each other and are each equally valuable (without the leaders the warriors and workers would ahve no direction, without the warriors the leaders and workers would be vulnerable to attack and so defenseless, and without the workers the leaders and warriors would have no cultivated food to eat or built homes to sleep in or tools to use) as a CONSEQUENCE of their being imcommensurable, at least in that sense.
Think of it: how is a silver coin worth and respected more?
When I say that 100 of them equal 1 gold coin?
Or when I say the gold coin is qualitatively different and something the silver coin can never match, but by that same token--or, perhaps, "coin,"--the gold coin can also never match the silver one, as they are qualitatively different, apples and oranges, and even if we say that we would save the apples before the oranges, that doesn't make the apple the superior of the orange, it's merely part of it's quality.
By that same logic I refer to men and Mozarts in the same way I mena silver and gold.
(I am REALLY just dazed right now and in awe of the sort I ahve not been in since I first saw one of my friends perform "The Box Monologue" from Tom Stoppard's "Rosencrantz and Guildenstern Are Dead." I listened to a radio adaptation, today, of George Bernard Shaw's "Man and Superman," and I was BLOWN AWAY by the entire thing--the words Shaw uses! The pacing! The cast itself was great, they even had Dame Judi Dench, who's always magnificent! And this whole thing was FOUR HOURS LONG, the whole damn play, and I listened to it, and when I got to aCT THREE, "Don Juan in Hell,"...it was INSANE! It was like Nietzsche, John Stuart Mill, and Shaw sat down together and did some Lucy in the Sky with Diamonds before writing this! XD Really, you HAVE to hear this or see this or read this...the most incredible play AND production I've seen in a long while, and one of the BEST pieces of literature I've read or heard or seen ALREADY! It's amazing! I mean, literally, just about EVERYTHING that you could possibly imagine these people talking about in a philosophical sense, they talk about, and when you get to that Act III, this comedy of manners English-garden play turns into an existentialist monster from HELL!
obiwanobiwan officially endorses "Man and Superman" by Geroge Bernard Shaw:
As just a play and piece of literature it's brilliant, insightful, and was ahead of its time!
As a work dealing with philosophical issues it's hilarious and haunting at the same time!
And despite his views on eugenics and the overly-slow "Saint Joan," this is electric!