Right, ignoring the troll in the room (but acknowledging the mispellings he pointed out, fair enough...)
@Invictus:
Actually, I recall reading in a critical essay that "Nigger Jim" isn't ever said; Jim's reffered to as a "nigger" by others, but that particular phrase, I think, is the equivalent of "elementary, my dear Watson" and "Alas, poor Yorick, I knew him well," in that it never actually occurs but is still famous for...occuring? ;)
In any case, he IS referred to by the "n-word," as are others, so it DOES still lose a LOT cutting it.
And cutting the Duke?!
As a Shakespeare fiend I am APALLED! So much so I don't care if that's mispelled or not! (In a rush, school soon!) ;) They not only give a great picture of just the seedy udnerbelly of the nation, but a sense of literary decay...
Jumbling "Hamlet," "Macbeth," and "Romeo and Juliet" all together...screwing up all three plays...
Actually--I kind of like their version! XD
@Putin33:
Tell me--if I set a book in Nazi Germany and had the word "kike" in there frequently, and then years later we just decided to replace that word with "scum," has something been lost?
I would say yes. The words "kike" and the n-word mean MORE than just "a black slave" or "scum," they can't be substituted like that and keep their weight for the very reason the New Wouth people want to take out the n-word:
The word has a HISTORY...and it's a PAINFUL one.
I say "slave" or "scum" and it means something more general; something bad, yes, but something that everyone can get behind without fear of feeling discomfort.
But if my Jewish character is called a "kike" Jim is referred to by the n-word, THOSE words have all the pain of those above and MORE because of the history of the word then and now...no one has to feel pain at the word "slave" or "scum," but throw in "kike" and suddenly some people DO feel uncomfortable facing that old demon, and what's worse, throw in the n-word adn the unthinkable in American society has to happen.
For a MOMENT...people actually have to STOP and REFLECT...and perhaps even feel a sting from the past or a twinge of guilt because of it, knowing what happened, what great-great-grandfathers might have said and done.
And while that seems a bit harsh for kids, generally we're not going to have 5-year olds reading "Huck Finn," they're usually be at least 15, ready to face this sort of thing, and I'd like to think that America's children--that ANY nation's children--are strong enough and resolute enough to look at their own people's past and bear that twinge of guilt or pain adn not be afraid...
Because it's from THAT, the CHILDREN bearing that together, the Caucasians and African-Americans and Latinos and Jews and everyone...
THAT'S how you get strength from adversity, and how you learn, and by acknowledging the pain did occur, you prevent that pain from ever reoccuring again.
@jman:
That's actually been tried before; occasionally in the 18th and 19th centuries, the endings of Shakespeare's tragedies would be "reinterpreted" so that Hamlet won out or Romeo and Juliet could be together...because tragedy wasn't popular, it was the Romantic and then Victorian era, and so everyone wanted the romantic, happy ending or, by the time of the Victorian era, such crashness and disturbing endings as, say, "Macbeth" or "Oedipus Rex" have would have seemed unseemly.
Didn't happen often, but happened occasionaly, because...
Some people cannot face tragedy.
And regardless if you agree with Nietzsche (Shakespeare was already mentioned as was Twain, you ahd to know he was on his way) that tragedy is the highest form of art (I, for the most part, do agree with that dentiment, with some exceptions) I think we can all agree with Friedrich that there is a weight and power to tragedy that DOES make it that much more powerful...
Which is actually part of the reason, ironically enough, the ENDING of "Huck Finn" has been attacked sometimes, since it takes a very comedic turn at the end, with Tom Sawyer's reappearing and Huck acting like a boy again for a time towards Jim rather than more adult as a response to his experiences.
People would like to have Twain's book flipped from the way he has it--instead of a serious, biting satire and scathing criticism of race and class relations in America that turns into a farce at the end, showing how little has really been changed or won after such a long journey and that much effort--fitting metaphor for race relations TODAY, really--people would like a nicer, friendlier body of the text, so it can remain a "boy's adventure," and then a more serious ending so that we can give the illusion that something was just learned in that diluted, watered-down mess.
And for what? Because we're more "evolved" today than back then, we don't need the reminder?
Take one look at the gang wars of Los Angeles or the bloodshed in the Middle East (doesn't matter WHERE, it's all bloody) or the ongoing atrocities in Africa, and the US and two of Prince Hamlet's most sarcastic words come to mind:
"Evolved indeed."