"No, English majors write concisely."
I hate to burst your bubble--
I actually AM an English major...and one with an AA and a semester from transferring to start a BA so I do have a degree to stand on here...
It depends who the writer is...there are plenty of my fellow English majors (a lot of them are my closest friends) who would agree, and who do write concisely...
Others, such as myself, prefer to be more exploratory and inclusive...it's just a difference in writing style, some prefer a get-to-the-point approach, but others prefer to try and paint how this connects to that and what the impact there is and so on and so forth...
It's the difference between an inter and intra-textual approach--
If you feel you can write a concise paper on "Hamlet" and if Hamlet's sane or not, you can go right ahead, without having to cite anything else besides the play (unless the professor says otherwise) to back up your point of view...
If you're like ME, however, as some are, you'll want to take outside texts, Shakespeare's environment and life (his father and son had died within the span of time "Hamlet" is generally believed to have been written and performed, which can date as early as 1598 and as late as 1604, with most settling in between and the most common, compromised date is 1600-01, as that's a nice, round date) and other such factors...
Your paper WILL go on for quite a while.
Mine generally go 20+ pages on the topic, unless the professor SPECIFICALLY gives a limit...and then, I make SURE I take up every page and every line and every space I possibly can...it it's 6 pages, it's 6 pages all the way to the very end of that last page.
I mean, a paper is your chance to express yourself in full, certainly more fully than you might in even the best classroom discussion...
I'm passionate about the material, and so I like to really sink my teeth into it.
20 pages doesn't mean I just closed my eyes and mashed keys and typed "Shakes is awesome!" for 20 pages.
In any case, a short paper doesn't mean that there's less thought, of course--a friend of mine, who's GREAT with short papers (I'm like T.S. Eliot or Faulkner in that I let my material go on and on and allude to everything, he's like Hemmingway, quick, compact, powerful sentences, that's just his style, and it works for him) made a bet with me I couldn't do a paper at the minimum page limit--4--AND with NO allusions whatsoever, no Shakespeare or Nietzsche or Eliot, just the material, quick and to the point.
I did it, and got and A, same as him.
And then I went right back and wrote a 24 page paper for my next class, because that's just more my style, and I enjoy those a lot more.
The point is, I CAN have quick, concise sentences...I just like my way better (especially online, like Eden points out, the whole "inner dialogue" thing, that's me right now, I don't go over these and edit like I would an essay, as far as I'm concerned, I'm just having a conversation online, I'm not an author responding to Tolstoy--pun intended, take it or leave it--like Orwell did in his collected, calculated response on why HE felt Tolstoy was utterly wrong in his appraisal of "King Lear"--he thought it was empty and crap, to be blunt--and Shakespeare as a whole.)
"Many are attune to literary theory which includes feminism, Marxism, post-structuralism."
And I AM attune to those...I just dislike the latter two INTENSELY and see the former as a broad umbrella...I'll use it, but not flippantly, as I think it is too often today (even FEMINISTS THEMSELVES admit there's a bit of a problem in some people applying it too far and to everything so that almost anything ever written by an author with a Y chromosome is evil and wrong...PLUS, Putin, if we're going to be technical and REALLY pull the literary guns out...not very collected and correct YOURSELF to just say "feminism" and expect it all to be the same...WHICH kind? Charlotte Bronte's? Mary Wollstencraft, who didn't care for the sort of romance novels the Brontes would produce, though admittedly Bronte was probably better and more serious than her initial targets? Rebecca West and the more rebellious, activist feminists? Virginia Woolf, who hated Bronte and West's style of feminism and argued NOT for characters to be judged or written according to sex but to character, and that androgynous writing is best? WHO, Putin, specify! CLEARLY they don't all agree!
What's more, not all MARXISTS would agree...Sartre is different from Trotsky, and Orwell from both of THEM, and THEY all differ from Marx's original school...if you're going to call ME on not being attune to literary theory, you'd better bring your own guns to the fight and do so properly, sir, because right now, you're over-generalizing entire genres so badly...
It actually resembles your general method of over-generalizing an entire group of people--the GOP, for example, as you just said the entire party was anti-intellectual--and, really, I can't take you too seriously right now...)
"You're one of the few I've met who only care about the classics."
I'm sorry...
Since when did:
-T.S. Eliot
-Virginia Woolf
-D.H. Lawrence
-Jean-Paul Sartre
-Samuel Beckett
-John Steinbeck
And company ALL become "The Classics?" Either you're saying anything written before the 1970s is classic and antiquated, in which case...I'm not even going to go there, OR you're being rather loose with your terminology AGAIN, as any self-respecting English major would extend "The Classics" in the general sense to, most conservatively, the Greco-Roman-Latin literature of the Ancient and Medieval world, and at their most liberal, to Shakespeare and Marlowe and then MAYBE, MAYBE John Milton and the Restoration...
But, technically, Shakespeare is considered "Modern English," and anything later than Milton cannot really be considered in line with "The Classics," as we have the Restoration, the 18th century, The Romantics (who drew on The Classics heavily but are not to be confused with The Classics THEMSELVES), the Victorian-era authors, Early Modernists, Modernists, Post-Modernists...
So, no, Putin, I do NOT, clearly, only care about The Classics, and I'd invite you to, once again, get your terminology right before you criticize me in my field over my lack of devotion to literary theory (and this is WITHOUT getting into Deconstruction and Derrida and Psychoanalytic literature and the methods Heidegger and Gaddamer introduced and Russian Formalism and all SORTS of little minutia I can call on as an English major in regards to literary theory you've just skipped over blithely while saying I don't pay attention or care for any of them.)
"Why are you denigrating your own discipline?"
Because I--unlike some here--have a sense of humor about things, and can make a joke about my own field...and I'd think most here would GET that joke, too, so, really...
"Provocateur."
YOU SHOULD KNOW.