"And Tolstoy only hated Shakespeare because Shakespeare was better than him, and didn't fit his holy worldview. Shakespeare exalted the human, and there was no real requirement for God in his works. For Tolstoy, this was unbearable. When it came to Shakespeare, Tolstoy was a crank."
dipplayer did my commenting for me there...and a lot shorter and quicker than me at that. :)
"Obiwan is right about how to approach the text. No prior respect is due to any text. If everyone else thinks it's the best thing ever, it will naturally make him curious and probably make him try reading it several times, but that's all. On the other hand, not getting it and then asking irrelevant questions like those above will just make you look childish, Obiwan."
How am I "not getting it?"
In the sense I stated above--ie, "I don't get why this is so important, these endless lists of people we will never meet or hear of again" and that sort, or the "You haven't read the Bible all the way, ergo, you don't get it and can't pass judgement" sense?
If the former--how do I look foolish by asking a legitimate critical reading question after I've read the full text of the book, that is, Genesis? Surely once I've read the full 50 chapters I am entitled to SOME post-reading opinion, even if the argument were to be made I couldn't judge it in full until I'd read the whole Bible to give it full context, surely after reading the full Book of Genesis I'm entitled to make a textual inquiry or criticism of the text itself? After all, I'd agree, to an extent, that if someone hasn't read the whole of "A Tale of Two Cities" (to use a non-Bard example, for a change of pace) then yes, I'd agree, you can't critique the entire book...
But if you've read the famous opening chapter, complete with the "It was the best of times, it was the worst of times" paragraph, don't you think that at the very least someone might make some textual criticism there, and say "I think Dickens was stylistically redundant in that opening, and here's why," or else "I think that was a brilliant and beautiful opening, and here's why."
So how do I look foolish for making a textual inquiry of the Book of Genesis upon completing it, even sans the full support of the other 65 books, surely I can make SOME statement (and indeed, the one I made, asking why it was relevant from a pacing, stylistic, plot, and character standpoint--to again treat this just as I would any other book--to give a full genealogy of everyone ever when, indeed, many of those lists are just that--lists of names and ages and then they die and we move onto the next list...we're not invested in these random people that are born and have no actions or words to speak for themselves, so why waste our time with irrelevancies, why is that so important plot-wise and, indeed, as a holy book, why is that information "holy" and necessary...to make the whole "traced from Adam/Abraham" lineage point could be made without listing absolutely everyone, just by saying that this was the case, that everyone stems from Adam and that all the sons of Abraham and all that entails stems from him...why the unnecessary list? From an oral history standpoint I get it, repetition helps remember the story, but again, when WRITING this, why not leave that out or condense this part, as this WAS written by man...?)
If the latter--see the above, really, on why I think at least some textual commentary is permissible even partway through, especially as the Bible is a compilation--there, we've settled on that word and not "edited," I still think it carries a certain connotation in even being a compilation, but whatever--of stories that are in some cases stand-alone (or at least able to function as stand-alone works if necessary and taken in isolation) and in others, again, can at least function stand-alone even if they're compiled so that they tie together...
Do I really have to read all the way to the last period in Revelations before I can comment at all on the text of Genesis?
Given the fact they were written hundreds of years apart...that hardly seems fair or true to the nature of the text Genesis...
Also, I WOULD say that, in much the same way really most people can give at least some basic, basic commentary on "Romeo and Juliet" just because everyone knows the story, it's so embedded into the culture and has influenced at least half the romantic movies out there we see in some fashion and whatnot...everyone knows the basics, so everyone can at least say something, even if it's not as deep as it could be if they would read the actual text...
By that same stroke, everyone knows Genesis, and the basic stories of Creation, Adam, Eve, and the Fall, and Noah, to be very conservative...
So surely they can comment on it a bit, if it's so mainstream as it is?
"In answer to your question, surely you can understand that for most people, until our recent individualistic age, one's forebears were of utmost importance. One's genealogy was a defining part of who you are. Many tribes and peoples could list their ancestors back for many generations. This is still an important and interesting endeavor. I've researched my own family history for the past 200 years, as best I've been able, and it gives me a satisfying sense of who I am, and an appreciation for those who came to the US and who worked to put me where I am today. And it's simply fascinating.
Why should such a thing be in a "holy book"? Is it just a relic of tribalism? Perhaps it is there to remind us that no man is an island, that we all come from somewhere, and to not be too impressed with ourselves. I didn't get here on my own, sui generis. My ancestors shaped the world I inherit. Also, the Old Testament, and especially Genesis, has a huge focus on the maintenance of tradition and of the covenant. Those things are/were passed down in families. How else could they be? Genesis is obsessed with the importance of the transmission of the covenant and of the tradition of the Fathers. Whether you want to define that as a religious tradition, or as some other tradition, this is an important principle. Maintaining a culture, a civilization, requires the continual renewal of that culture or civilization in each new generation."
OK, at least historically, I think that's plausible, I already agreed and noted the first, oral history/cultural aspect before...
But I can buy into the idea that "no man is an island," that's a decent point.
However, again, in WRITING this--so past the oral history phase, when they're just writing this all down, and revising it over the many centuries and versions and translations--I must again ask...no one thought to perhaps either:
A. Streamline that "no man's an island" message and make it more to-the-point (and actually, the amount of times Abraham and his descendants are told their "seed" will get this or that...really, I think the text already establishes how linked it wants all the characters to be--do we really have to spend long sections listing them off, again, symbolically/contextually, it seems redundant, we get the "no man's an island" from plenty of other statements, and stylistically, no escaping it, it IS boring and tedious...which may seem like a petty quibble but, again, treating it like any other book, and generally books have been and are still slammed for that stylistic error, so...)
OR
B. At LEAST give some more background or details or stories pertaining to these new characters, if you're going to list them off...I mean, what's the point of introducing the character in a tedious list if the most he does is procreate and die, you can just pick up with the "relevant" offspring down the line and call them descendants of the line of Adam/Abraham/etc. If you're not going to give us any reason to be invested in the characters, why painstakingly list them literarily, just, again, mention "Adam's line" or "Abraham's line" or whatever, and make it clear where the relevant characters were descended from.
"I honestly don't understand how anyone can get bored reading Genesis, although yes, the genealogies of people we don't know can get tedious. But this book has the creation story, the temptation and fall, the promise of a future savior (Adam and Eve's seed), the flood and Noah's ark, and so much more."
On that, quickly:
--The opening lines and Creation itself are some nice bits of prose (if utterly implausible in every possible sense scientifically, but hey, Shakespeare had ghosts and Homer had sea monsters, so we can let some fantastic things go in literature like this), though I will admit I don't like the creation of Adam and Eve themselves; I don't care for their characters, and I definitely don't care for the illogic and bit of misogyny that comes from making Eve out of Adam's rib and, with that and accompanying prose, giving a nice chauvinistic message about why men should be allowed to dominate over women (yes, most Western literature beat up on women in some form or another in the ancient world, I'm just saying, this is another case of it happening and, as with the others, I don't care for it is all...what's worse, AT LEAST the Greeks gave some strong female characters to go with the weak ones, for every Ismene there was an Antigone and for as blamed a character as Pandora there was the virtuous and faithful Penelope, to say nothing of the powerful female goddesses, so I'm still scoring the Greeks as more progressive here, but I digress.)
--The Fall...I've gone on and on about how much I LOATHE that story as it's told in the Bible and read and how I find that whole situation illogical and I don't find God just or good here, at all...maybe it's more of a miracle, then, that after "Hamlet" that "Paradise Lost," retelling this story, but better and from the point of view of Satan and his villain/anti-hero arc, is my favorite work of all-time. In the Bible, though? Hate it, to put it mildly.
--I think the promise of a future savior is, at least in part, a bit ex post facto in interpretation, especially if it's applied to Jesus, NO WAY the authors of Genesis hundreds of years before the man ever lived knew of him and a pending New Testament and left a way to tie the OT and NT together...that's something you might take on faith, and if you do...well, I can't dissuade you, I suppose, as erroneous as I think that is, but in any case, that's not valid literary criticism anyway, so leaving that option aside...yes, I think a lot of the "future savior" bit is interpretation after the fact, particularly if it's applied to Jesus...redemption? Maybe, though I'm still unsure. A Christ-like savior? I think that's reaching to the breaking point there.
--If I even have to say what's wrong with Noah's flood, both rationally and scientifically as well as as a moralistic tale itself...so again, a famous story, NOT one I enjoy, and actually, rather almost as irrational and malicious as the story of the Fall, in my view.
So yeah--maybe it has a lot of famous stories and characters, but Genesis doesn't do much for me, except set the stage for "Paradise Lost."